David Rendall, John Tomlinson, Janet Baker, Peter Butler, Rosalind Plowright, Angela Bostock, Glenn McKeown, Giuseppe Bardari, Tom Hammond, Alan Opie, Leigh Maurice

Glyndebourne has brought to light a long-overlooked winner in Donizetti's Poliuto, delivering a superb musical performance (The Telegraph) offering lucent accounts of the principal roles and an incandescent London Philharmonic Orchestra, under Enrique Mazzola (New York Times). This first-ever professional UK staging of the story of third-century Armenian martyr St Polyeuctus features a trio of world-class young singers with Beverly Sills- and Richard Tucker-award-winning Fabiano displaying a thrilling, vibrant tone in the title role, Martínez providing Paolina with pinging coloratura and Golovatenko giving a radiant-toned voice to Severo (The Guardian )

Johnny Carson narrates E.B White's story about a mouse born to human parents.

After his frustrated wife abruptly walks out on him, Stuart Bliss, a wizard at inventing campaigns for surplus military materials, believes he's catching the warning of a coming apocalypse. Descending into paranoia, he then begins to perceive every subtle change in his office as a sign of intrusion, imagining that he's being watched and possibly polluted with a contaminated substance.

Shot in black and white by the Warholian Factory "icon" Gerard Malanga, American actress, author and figurative painter Mary Woronov confronts the camera with a whip.

Gaetano Donizetti and his librettist Felice Romani kept the focus of their opera ANNA BOLENA on the personal rather than the political in this fictionalized Tudor tale: Henry VIII of England wants to get rid of his second wife, Anne Boleyn, so that he can marry her lady-in-waiting, Jane Seymour. He brings Lord Richard Percy, Anne's first love, back from exile so that he can find an excuse to accuse her of adultery. With the unwitting aid of Smeaton, a court musician, and Lord Rochefort, Anne's brother, the trap is easily sprung. This 2011 live recording from the Wiener Staatsoper showcases Anna Netrebko as she "scored a personal triumph" in her debut as the hapless Tudor Queen, while her stage partners - notably Elīna Garanča as Jane Seymour and Ildebrando D'Arcangelo as Henry VIII - were likewise showered with critical acclaim.

First performed in Paris in 1843, at the turning point of several eras, Don Pasquale, a composite and varied work, is the apotheosis of opera buffa. Performed for the first time at the Paris Opera, the production has been entrusted to the Italian director, Damiano Michieletto, who transports us directly to the sincerity and dramatic splendour at the heart of an apparently light‑hearted work.

One of the composer's most beguiling scores, La Favorite is Gaetano Donizetti's La favorita in it's original French form; a tale of love and war that represents a glorious mix of Italian bel canto and 19th c. grand opera. Vincent Boussard's arresting Toulouse production does full justice to this newly renewed masterpiece. Three international principals take on the work's demanding roles: Chinese tenor Yijie Shi is a 'revelation' as Fernand, the rich-toned, authoritative French baritone Ludovic Tezier as King Alphonse XI and lauded American mezzo Kate Aldrich - 'the Carmen of this generation' - plumbing the emotional depths of Leonor's music. Conductor and bel canto specialist Antonello Allemandi adds to the passionate proceedings onstage. Maestro Allemandi demonstrated full authority over the stage for the musically complex scenes, and in the arias and duets demonstrated his confidence in the singers by establishing ample tempos to support their soaring vocal lines.

Donizetti's French masterpiece was in the hands of Italian conductor Antonello Allemandi. This maestro, a bel canto specialist, captured the fire and intensity of the passions from the get-go, making the overture a superbly eloquent transition to a musical world based on beautiful lines and colors that elaborate distress and make it compellingly elegant. Allemandi demonstrated a full authority over the stage for the musically complex scenes, and in the arias and duets he demonstrated his confidence in the artistry of distraught singers by establishing ample tempos to support their soaring vocal lines while he concentrated on pulling every possible nuance from the pit players.

Whoever does not yet know Gaetano Donizetti's Don Pasquale will learn to love it with this elegant and stylish production by Stefano Vizioli. Lovers of this opera will be enthralled by Eva Mei's high, clear voice as well as Alessandro Corbelli's and her touching performances. Gérard Korsten conducts the orchestra of the Teatro Lirico and proves that Donizetti's spritely music gives room for fascinating interpretations. The opera tells the story of an elderly dandy, who is thoroughly cured from his desire to get married and thus hands over his young lady to her actual lover a tale as old as comedy itself. Donizetti however, being the master of cryptic comedy, extends this traditional "buffa" subject matter to a character comedy. His characters are not merely archetypes; they develop their individual profile throughout the differentiated and diversified plot. This work shines with musical wit, expressed in numerous coloraturas, cavatinas and duets.